Willi Schwope, Violine & Tim Florence , Piano George Perlman - Israeli Concertino 1.Satz: "Hora-Hatikvah" www.musikschule-spandau.de | From:Freddy Rabbitfoot Views:
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Time:03:35 | More inPeople & Blogs |
George Perlman - Israeli Concertino
Sheila Nelson - Basque Dance - Battle Cry
Luise Lietz, Lara Hube, Jannika Brumn Violinen & Lukas Lietz (Cello) | From:Freddy Rabbitfoot Views:
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Time:03:34 | More inPeople & Blogs |
Vivaldi Concerto G-Major for 3 Guitars
A. Vivaldi: Konzert G-Dur für 3 Gitarren unter der Leitung von Diana Kalbitz de Garcia www.musikschule-spandau.de | From:Freddy Rabbitfoot Views:
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Time:09:21 | More inMusic |
Brahms Sonate opus 1 - Satz 1 - Timo Strönisch, Klavier
Bach: Flötensonate E-Dur - Annika Steinmetz
Sonate 1 aus "Centone di Sonate" Paganini
A.Barrios: Preludio c-Moll - Gabriel Zemmit (guitar)
Kinderchor der Musikschule Spandau
Lentement & Gigue - Sonate G-Dur - J.Bodin de Boismortier
3 Könige wandern aus Morgenland - Peter Cornelius
Übers Gebirg Maria ging - Johann Eccard
God So Loved The World - Sir John Stainer
Maria durch ein Dornwald ging
hodie christus natus est - francis poulenc
in the bleak midwinter - gustav holst
Adele - Hello / Lacrimosa - ThePianoGuys

Tickets for 2016 shows: http://smarturl.it/tpgtour Download song: https://goo.gl/ALhHMG Become a TPG Insider! http://thepianoguys.com/insider/ Subscribe to our main channel: http://smarturl.it/TPGsubscribe1 Subscribe to our BTS channel: http://smarturl.it/TPGsubscribe2 Follow us on Facebook: http://www.facebook.com/PianoGuys Story behind the song Hello/Lacrimosa (or “Chello,” as it has affectionately been called in the studio) is a musical experiment bridging 18th century spiritualism and 21st century secularism. Imagine Mozart and Adele in the same room in an intense co-write session, quill and pen in hand, respectively. Picturing this hypothetical hangout helped to spark the creative combination of the two. Haven’t heard “Lacrimosa” from Mozart’s Requiem? It is a powerful piece of music. Listen here: https://www.youtube.com/watch?v=mhYCa... As you can hear, both tunes’ divergent traits presented challenges. One wallows in a wide, painstakingly minor 12/8 time and the other drives a poignant bi-polar major/minor common time. One draws its power from the fullness of a grand chorus and orchestra, the other from the isolation of a lone voice and piano. One conforms to age-old counterpart canon and musical theory, while the other is conveyed via verse/chorus pop song parlance. However, they share the same fundamental feeling -- “Lacrimosa" (meaning “weeping” or “tearful”) mournfully bemoans spiritual death, while “Hello” gripes about relationship regrets. Different centuries. Different realms. Same emotion. Perhaps we aren’t as far from our predecessors as we think we are. You’ll hear towards the end of the tune an attempt by both motifs to meet in the middle as the two textured melodies intertwine. In their respective stories both plead for reconciliation. Neither seemed to find it apart, but together they sing of a second chance. The sounds you hear were created by 100 tracks of acoustic and electric cello, an instrument that has been emoting for centuries – an apt candidate for the task of tying together “Hellocrimosa” (our alternate affectionate title). This video was filmed at one of our favorite locations: Tuacahn Amphitheatre, utilizing different patterns and settings of giant mirrors, diffused light, and some very cold fog. How is the camera not reflected in the mirrors? Simple. Magic! Credits “Hello” as performed by Adele (written by Adele and Greg Kurstin) “Lacrimosa” from Wolfgang Amadeus Mozart’s Requiem The Piano Guys arrangement produced and written by Al van der Beek & Steven Sharp Nelson Performed by Steven Sharp Nelson: electric & acoustic cellos, cello percussion Al van der Beek: percussion, vocal textures Recorded, mixed and mastered by Al van der Beek at TPG Studios in Utah Video produced and filmed by Paul Anderson & Shaye Scott Edited by Shaye Scott Project Manager & Behind the Scenes: Kyle Fisher Photographer: Addison Foote Location coordinators: Jeremy Crawford & Frank Nelson Techical Director: Wes Hamblin Special thanks: Tuacahn Amphitheatre (https://www.tuacahn.org/Online/defaul...) Jones Paint & Glass. (http://www.jonespg.com)
Chopin: Nocturne As-Dur op.32 (2) - Karin Zhou
"Mondscheinsonate" opus 27 (2), S.3 - Sojung Kwon
Holy Night - For a Better Day - Avicii

Aylin Dörfel (voc), Benedikt Sturm (guitar), Niklas Krueger (vocals & drums) , Karin Zhou (violine), , Richard Howen (bass) , Marc Krüger (guitar & voc) , Vera Knauer (cello), Paul Hoffmann (guitar), Nico Meloton (sopransax), Anton Radtke (percussion) Friedemann Wilcke (piano & moog) - Vielen Dank an Erko Sturm und den unübertrefflichen Meister am Mischpult Christian Berger 13.12.2015 Melanchthonkirche Wer Änderungswünsche hat, bitte einfach mailen :) http://www.musikschule-spandau.de
The Jungle Book / Sarabande (Mayan Style) - ThePianoGuys

Tickets for 2016 shows: http://smarturl.it/tpgtour Become a TPG Insider and join us on a live video chat! http://thepianoguys.com/insider/ Download song: https://goo.gl/BzcyJt Itunes: https://itun.es/us/QBzPbb Amazon: https://amzn.com/B01DYWQT96 Story behind the song The quest to serenade the Seven Wonders continues… A few years back we set what seemed at the time an impossible goal: to film music videos on all Seven Wonders of the World. Now we are nearly half-way there. We started by scaling the Great Wall of China, performing in feng shui fashion “Kung Fu Panda” in harmony with Chopin: https://www.youtube.com/watch?v=NCaH-qqTWpk. Next we paid homage to the Christ Redeemer Statue in Rio, Brazil, dedicating “Gabriel’s Oboe” (from “The Mission” soundtrack) coupled with the beloved hymn “How Great Thou Art:” https://www.youtube.com/watch?v=CHV6BjuQOZQ. And now we present the third Wonder, Chichén Itzá. Thus far our tradition has been to mix timeless classical music with contemporary film scores. We also love infusing local and historical culture in our arrangements. For this Wonder we wanted to stay true to this tradition while simultaneously nailing “jungle harmony,” as a famous cartoon bear once coined in…Disney’s Jungle Book! But in this decision we were confronted with an entangling challenge — to effectively blend the cacophony of Disney Jazz, classical music, Mayan heritage, all while making it epic enough to be filmed in front of a massively-historic, world-renowned stone temple! First, it was vital that we carefully, thoughtfully pay proper respect to the “wonder” of “El Castillo,” its surrounding artifacts, and the Mayan spirit that pervades Chichén Itzá. The Mayans were an incredible people — adept astronomers, unprecedented builders, and incomparable artisans. Their ability to use architecture in an acoustic way especially impresses us. For instance, you can stand upon a step at one end of the plaza and be heard clearly on a step at the opposite end. The Mayans also used instrumental music in...read more here: http://thepianoguys.com/portfolio/jungle-book/ Filming it in just the right vein was just as challenging. We wish to sincerely express our deepest gratitude to the National Archeology and History Institute (http://www.inah.gob.mx) and Cultur Yucatan (http://www.culturyucatan.com) for allowing us the profound privilege of filming at Chichén Itzá. Were it not for them and their warm hospitality this video shoot would not have been possible. When visiting Chichén Itzá, we recommend staying here: http://mayaland.com We also wish to thank our second filming location, Xcaret (where we filmed the jungle river and stage scenes). Xcaret is a fun-filled family friendly park built right in the middle of the jungle that immerses you in cultural food, entertainment, and adventure. Check it out here: Mexico's Majestic Paradise: https://www.youtube.com/watch?v=7m80QeiMy38 Facebook: https://www.facebook.com/enxcaretpark Website: http://www.xcaret.com https://twitter.com/xcaretpark Steve is playing the most recent addition to his cello family, “Maya,” hand painted in Mayan hieroglyphic style by Juleez (Julie Borden) just for this video. Her uniquely creative masterpieces are only matched by her equally vibrant spirit and enthusiasm for musically influenced art. See more of her instrument artwork here: http://www.juleez.com. Thank you, Julie! Credits "My Own Home" and "Bear Necessities" from “The Jungle Book” movie soundtrack written by Robert and Richard Sherman and Terry Gilkyson, respectively “Sarabande,” movement four of “Keyboard suite in D minor” (HWV 437) written by George Frideric Handel Piano Guys arrangement produced by Al van der Beek & Steven Sharp Nelson and written by Al van der Beek, Jon Schmidt & Steven Sharp Nelson Performed by Jon Schmidt: piano Steven Sharp Nelson: cello, percussion, piano Al van der Beek: vocal textures, percussion Record label: Sony Masterworks Fernando S. Gallegos: Traditional Mayan instruments Recorded mixed and mastered by Al van der Beek at TPG studios in Utah Video produced and filmed by Paul Anderson & Shaye Scott Edited by Shaye Scott Photography, Behind the Scenes: Kyle Fisher Location Manager: Omar Yair Nathan Christopherson: Animal Special Effects